Back to the Future - Fashion
Time Travel and the fashion of the era follow hand in hand, especially for Marty McFly, (maybe not so much for Doc Brown !) …..
So we look into the fashion in 1985, 2015, 1955, and 1885 !
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation. Those who don't dress appropriately are often viewed as outcasts or rebels, or at the very least, odd and out-of-place, so Marty McFly's clothing proved to be an endless source of embarrassment for him during his adventures, in spite of Dr. Emmett Brown's attempts to be prepared.
They generally had three options when they traveled from one time period to another:
They purchased and changed clothes after arriving in a new time period
They tried to find appropriate clothes for their destination before traveling
They neglected to change clothes and just endured the awkwardness of attracting attention.
Note: Outfits are described here under the time periods the clothing came from, which were not necessarily when they were worn.
Back to the Future Fashion
Outfit 1: Marty McFLY
This Marty McFly outfit is probably the most iconic of them all.
Everything from the vintage wash denim jacket and faded dad jeans, to the orange puffer vest, looks as good now as it did back in ’85.
Trainers
They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew.
Denim Jacket:
Quilted Vest:
Tennis Sneakers: Nike Killshot 2 (They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew)
Aviator Sunglasses: RayBan
Retro Calculator Watch: Casio
Marty
"Life preserver" First day of school in 1955
Marty wore a red and gray jacket (that he took off in the school cafeteria), white shirt with light blue rectangles, brown pants, brown loafers (slip- on shoes), and had hair tonic in his hair.
"Darth Vader"
The day of the skateboard chase – Marty wore the same red and gray jacket, this time with a black shirt with red chain link pattern, brown pants and Converse Chuck Taylor All-Star shoes.
"That zoot suit"
Marty wore a gray wool suit, a white shirt and narrow red tie, that afterwards he called a “zoot suit”. "Get yourself some 50’s clothes ... something inconspicuous!"
—Doc to Marty
Marty in his "inconspicuous" disguise.
"Something inconspicuous"– Marty chose an “inconspicuous” outfit to cover his basic outfit; he added a black felt fedora hat, black leather jacket and dark sunglasses. When Biff confronted Marty, he referred to the outfit as "that stupid disguise".
After getting to Biff's car, Marty took off his sunglasses. At the Enchantment Under the Sea dance, Biff's gang member Match wondered how he changed his clothes so fast. After being knocked down by a door as his other self ran through it, and when Biff stole back the almanac, Marty was forced to abandon the fedora, which had fallen off his head. When taking Doc back to his mansion, Marty put the jacket and Nikes by the fireplace, along with the letter, so they could dry off.
At the Delgado Mine – Marty wore the same clothes as the day of the skateboard chase, and added a tan overcoat.
Marty's 1955 western outfit
"Clint Eastwood never wore anything like this" – Doc prepared Marty to travel to 1885 with a pink and blue shirt with long, yellow fringe running along the chest, back and sleeves, under five embroidered atomic model designs on the front and back of his shoulders, a red bandana around his neck, red corduroy pants, an ornately tooled belt with golden sunburst buckle, white Nike sneakers, and carried along a white cowboy hat and boots that were too tight.
Outfit 2: Biff Tannen
Oh Biff — the mild mannered, charismatic antagonist of the Back To The Future trilogy.
Contrasting shirt tie combo, for the pants I tailored wool (herringbone) trousers. And for the shoes, black leather with white soles to complement the shade of the knit tie.
· Bomber Jacket: (alt) Grey
· Charcoal Wool Trousers
· Black Oxford Shirt
· Grey Knit Tie
· Black Minimalist Sneakers
Outfit 3: George McFly
The timid George McFly
· Harrington Jacket: ASOS
· Olive Corduroy Pants: Everlane
· Grey Oxford Shirt: Everlane
· Black Frame Eyeglasses: Warby Parker
· Navy Suede Chukka Boots: Thursday Boot Co.
Outfit 4: Emmett Lathrop ‘Doc’ Brown
Doc Brown, the effervescent inventor of the first time machine, built out of a DeLorean sports car.
Often in a state of shock and awe, Doc had some questionable outfits throughout the series.
· Khaki Trucker Jacket: Flint and Tinder (alt)
· Slim Fit Alpha Khaki: Dockers
· Stripe Polo Shirt: Amazon Essentials
· Suede Sneakers: Koio
“…your future hasn’t been written yet. No one’s has! Your future is whatever you make it. So make it a good one!”
https://www.gentlemanwithin.com/back-to-the-future-fashion/
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation.
Clothing in 1985
"C'mon, I had to change! You think I’m going back in that-- that zoot suit?"
—Marty
Basic outfit –
During most of his adventures, except when he changed clothes in 1955 and 1885, Marty wore Guess blue jeans with black 3/4" suspenders, a red t-shirt, lavender ("purple") Calvin Klein underpants, and white Nike Bruin shoes with red swoosh and backtab
(no word Nike on them until he visited 1885) with gray socks (changed to white socks when he visited 2015).
School outfit –
From Friday before school through his first day in 1955, Marty added a Guess Marciano two-tone blue denim jacket with an "Art in Revolution" button, a Fender P-Bass pin and a white checked Shah Safara shirt to his basic outfit.
He accessorized this with a Casio CA50W digital watch on his left wrist, a silver Aiwa model HS-P02 Walkman, and mirrored Zeiss aviator sunglasses with a sweatguard in the morning.
"Life preserver" – From the evening at Twin Pines Mall through his first day in 1955, Marty added a dark orange Class-5 bubble down vest to his school outfit.
Tales From Space – Doc gave Marty a yellow full-length radiation suit for protection when loading the plutonium. Due to the similarity of his outfit to that of a space alien on a comic book cover, his outfit scared the Peabody family and an elderly couple driving past Lyon Estates in 1955.
"Darth Vader" – Marty wore the yellow full-body radiation suit, a hair dryer from Doc Brown's suitcase tucked into a belt, and held his Aiwa portable stereo cassette player.
Doc Brown
"Devo outfit" – Doc wore a white full-length radiation suit, over a green print shirt, white undershirt, black pants and orange Nike Vandal high-top shoes. He also had a watch on his left arm, and digital stopwatch on a lanyard around his neck.
Train shirt – While in 2015, Doc changed back to 1985-style clothing, a yellow Hawaiian shirt with a cartoon train pattern and brown cargo pants, expecting to return Marty, Jennifer and Einstein back home right away.
Jennifer "Hey Mom, nice pants" -
Jennifer wears a blue vest over a white shirt and has pink flower pants.
Other distinctive clothing of 1985
§ Dave wore a uniform for his job as a Burger King restaurant server.
§ George owned a suede jacket.
§ Biff wore a green warm-up outfit on Saturday; a purple warm-up outfit on Sunday.
Clothing in 1955
Biff
"Biff" - On Saturday, Biff wore a red short-sleeve pullover shirt.
School - At school, Biff wore blue jeans and a shirt with a checked red and white pattern.
For the rest of the week, Biff wore a grey jacket, a white T- shirt and black pants. He added a black shirt and a white tie for the Enchantment Under the Sea dance.
Lorraine
"You’re so ... thin" –
On Saturday, November 5, Lorraine wore a pink and purple plaid dress which had a rounded collar, a matching belt around the waist, and a pink bow at the neck. She also wore white socks.
School –
At school, Lorraine wore a blue blouse with a silver brooch and a purple pencil skirt. She also wore her hair in a bun.
"I think you'd look better wearing nothing at all"
On Saturday, November 12 at Ruth's Frock Shop, Lorraine wore a pink knitted sweater, saddle shoes and a novelty black cotton giraffe-print circle skirt which Biff lifted up to expose her panties once outside the shop.
"Well, lookee what we have here"
At the Enchantment Under the Sea dance, Lorraine wore a pink strapless dress, bought with Babs at Ruth’s Frock Shop, which she covered with a white sweater. When she leaned over in the car, Biff was able to see down the front of her dress.
Doc
On Saturday evening, Doc wore a silver robe with black lapels, white shirt, and white knit tie, and dark pants. During the rest of the week, he wore a long white laboratory coat, and put on a pair of green safety goggles when demonstrating the clock tower model. The following Saturday, as he tried to connect the electrical cable, Doc was wearing shoes with Velcro closures that had not yet been invented,[5] although he might have found them in his future counterpart's suitcase.
Other distinctive clothing of 1955
§ Milton Baines wore a coonskin cap, popularized by Disney’s Davy Crockett films.
Clothing in 2015
"First, you have to get out and change clothes."
—Doc to Marty upon arrival in 2015
Doc in his 2015 yellow coat.
Doc Brown
* Marty in his future son's outfit.
"Marty, you’ve got to come back with me"
Doc appeared in Marty’s driveway wearing a long yellow coat, a red shirt with Japanese symbols (no undershirt), silver wraparound glasses with internal video display, and a plastic transparent necktie.
Train shirt – (See: 1985 Doc Brown)
Marty
"You're the spitting image of your future son" –
* Marty Jr.’s outfit and Marty’s disguise consisted of an auto-adjusting and auto-drying jacket (though Marty Jr.'s jacket was broken on the left sleeve), blue jeans worn inside-out (Marty only turned his pockets out), white socks, white Nike MAG power-lacing shoes and a color-shifting lenticular baseball cap.
Marty Jr. wore a white t-shirt with a logo featuring a plus and minus sign. 47-year-old Marty wore a brown business suit over a light brown shirt and brown and yellow multiple ties with rising sun motifs.
Biff
Biff's outfit consisted of a red quarter zip sweatshirt and black, white and green plaid pants.
Griff
Griff's outfit consisted of a helmet with sharp metal spikes, a black-ribbed light green jacket over a black chainmail shirt, black pants and black boots adorned with a sharp metallic rhinoceros-like horn.
Marlene
Other distinctive clothing of 2015
§ Multiple ties worn by Terry, Goldie Wilson III and Marty Sr.
Clothing in 1985A
Lorraine
Lorraine Baines McFly, aged 47, in 1985A clothing and breast implants.
"You’re so ... big" – Lorraine Baines McFly wore a black, belted pant suit with patterns of multicolored dots, and high heeled shoes. The blouse had a low neckline revealing her breast implants.
Biff
Although Biff was fabulously wealthy as a result of his cheating with the almanac in 1985A, his sense of dress was still tacky as the Biff of the original timeline. His outfits were gaudy and ugly, with gold chains and bright blue blazers, giving him the appearance of a lounge lizard. After coming out of the hot tub, Biff wore a blue bathing robe over black swim shorts.
Other distinctive clothing of 1985A
§ Biff's bodyguard Match wore a white cowboy hat.
§ Biff's goon 3-D no longer wore his nominal 3-D glasses as the 3-D movies fad had long since faded by 1985. However, unable to part with the nickname, he wore aviator sunglasses which he had custom made, the left lens to be red and the right lens to be blue.
Clothing in 1885
"You can’t wear those futuristic things in 1885. You shouldn’t even be wearing them in 1955."
—Doc Brown at the Pohatchee Drive-in
Marty
"Clint Eastwood never wore anything like this" – (See: 1955 Marty)
Marty's 1955 western outfit plus hat.
"You sure look like Seamus McFly" – Same as "Clint Eastwood never wore anything like this" (see: 1955 Marty), with a straw derby hat[6]
"Some respectable clothes and a fine hat" – Most of the week, Marty wore a long, blue workshirt, brown jeans, and a brown sarape over long underwear, with a brown flat-topped hat, and boots.[7] The outfit was very similar to the one Marty saw Clint Eastwood wearing in A Fistful of Dollars.
"Go ahead, make my day" – One morning, Marty woke up wearing his long underwear with a half-fastened drop seat, and put on his hat and gun belt to practice in front of the mirror.
Behind the scenes
1955
Bob Gale said that costume designer Deborah Scott found nearly all the clothing for the film in the studio’s wardrobe department; they didn’t have the budget for her to make many original items.[8]
Lea Thompson found the pink dress uncomfortable to wear and even more uncomfortable to dance in, and would walk around the set in the 1950s corset bra and crinoline underskirt to avoid wearing the dress, and once even shocked her mother when she visited her on the set. But despite that, she still hung on to one exemplar of the dress that was given to her, and helped out with the filming of the second movie when the original dress had been lost, and she provided it herself.[9]
The black fedora Marty wore as apart of his 'something inconspicuous' disguise was made by the Stetson hat company, especially for Michael J. Fox.[10]
2015
Costume designer Joanna Johnston said she was terrified at the prospect of designing the clothing of the future, making costumes for the cast and 150 extras from scratch, since Bob’s concept did not have a basis in anyone else’s work. For a future society in which men and women are truly equal, the clothing styles would exaggerate the difference between the sexes. She decided to use a very wide variety of fabrics in bright "but not fluorescent" colors.[11]
1885
Costume designer Joanna Johnston was already familiar with the clothing for the period, having worked on the movie Tess, but found that most of costumes that were made for the Westerns of the '40s, '50s and '60s lacked the authenticity she was looking for. After further research, she created clothing for the main characters and as many as 500 extras based on the original clothing patterns she found.[12]
Back to the Future is being cited as a key fashion inspiration, it will come as no surprise to any fans of the film or, indeed, of fashion.
So much so, in fact, that Eastpak is reissuing the original rucksack Marty travelled through time with this season, sold exclusively at Selfridges (although if you have a DeLorean, you are advised to time-travel and buy one of the 80s originals, as Eastpak is certainly not selling them now at 80s prices).
Marty rocking double denim and high-tops
Marty himself has been something of a hipster template for a while now: the double denim, the checked shirt, the high-tops. If only Marty had arrived in east London 2014 as opposed to Hill Valley 1955 (and, later, 2015 and 1885), he would have fit right in and instantly sparked a sleeveless parka revival.
As for the other characters,
Lorraine Baines (later McFly, then Tannen) has, waist up, a proper Alexa Chung look going on, with her Peter Pan collars and demure little jumpers.
Biff Tannen's sports jackets are definitely in style, for men and women, while George McFly's thick-rimmed glasses have been a fashion staple since the dawn of time (maybe alittle exaggeration there)
As for what Back to the Future fashion pieces the biggest vote has to be for Lorraine's wacky 1955 hairstyle, in which her hair zigzags across her forehead
And honestly? Yeah. The clothing is superb. It doesn’t feel costume-y or try hard like The Great Gatsby or Gangster Squad; in BTTF, the period looks are natural yet interesting, feeling cool but dated.
As this film was made in the 80s, that the period they were parodying (1950s) wasn’t that historical. It was like (literally) looking at pictures your parents wore and checking local thrift stores for clothing ideas.
This all probably contributes to why Hill Valley in 1955 feels real and not filled with some wise-cracking gangster with a down-on-his-luck shoeshine kid.
Clearly, there is a huge difference between menswear in 1955 and 1985, but there are just things that make the 1950’s stand out when compared to other eras, but the 1950’s was a remarkably different than the 1940s.
In this post war time, you had the first inklings of true casual style. Instead of sportcoats as sportswear, you had dedicated garments like Hollywood jackets.
Shortjackets with point collars and bomber styles were extremely popular to wear when you were off work or just a youth.
Jeans and converse were the new go-to for casual pant/shoes, though a few still wore pleated
Hollywood waist gab slacks and derbies. And let’s not forget the explosion of prints (tiki and atomic) and tone-on-tone variations that made sportshirts truly “sporty”.
People today call it the Bold Look for tailoring (due to the heavy shoulder pads and dropped button stance) and Rockabilly for casual style. Either way, it’s pretty cool.
Good examples of the fun casual shirts in the 1950s.
Short jackets of all kinds were common, this time done with fun details.
Great shirts and an epic trouser to boot.
Ties in the 1950’s were more about abstract vertical designs. Some were slim, others were wide.
Leisuire jackets were all the rage.
BTTF gets all of this right, presumably by the use of true vintage (since the patterns and designs are really specific) as according to the wiki, they only used whatever was in Universal’s costume warehouse.
However, warehouses could definitely still make good reproductions! We’ll never know what is true vintage or not, but I’m leaning on the use of true vintage pieces since would only be 30 years old and wouldn’t be hard to source and get in decent condition.
Marty McFly
We all know Marty McFly’s epic 1985 look. Denim jacket on slim high waisted jeans, with a solid colored crewneck under a button up shirt; we also can’t forget the life preserver and white/red Nike Bruin sneakers. It’s a classic outfit that isn’t actually out of place today, since you could wear it at a Halloween costume or as a generic dude in LA (maybe lose one of the layers though).
That period paved the way for “non-traditional” garment mixing that ushered in the current way we approach casual style. Since this is only 15 years from the period of overalls with oxfords or puffers and military chinos, it’s no surprise that wanna-be rocker Marty McFly would also wear something as weird.
However, as we saw in the movie, he stuck out like a sore thumb when he was accidentally sent back in time to 1955. Luckily with a rich heir like Doc Brown as a friend, Marty is able to get some period accurate clothes and fit into this iteration of Hill Valley.
Marty’s first look for a new day in 1955 is a damn good one: every piece is so great. Firstly we can see the two-tone leather-gab jacket with a point collar. Two-tone jackets were popular as youth novelty wear. I’m pretty sure the one in the film is a reproduction, but if you found that as vintage it would be worth a lot.
Underneath the jacket, Marty has a block motif sportshirt that he’s rolled up his sleeves a la James Dean. Patterns like this are what make this era’s shirts so much fun.
He has white socks and penny loafers!
With the shirt, he finishes this perfect 1950’s casual-youth outfit with (presumably) pleated hollywood waist slacks that seem to be made of some silk or rayon blend. providing crunchy/shiny texture that fits in with the era’s obsession with patterns and atomic themes.
Overall, it’s a great uniform to do: sportshirt + high rise trousers + casual jacket. Marty wears the look well, with everything fitting perfectly. In fact, this vibe not only informs some of the looks you can see at Inspiration LA It may not be atomic or tiki, but alohas are certainly in full force in today’s spring/summer. Even the thin belts are coming back.
They need to make prints like this again!
When Marty gets into the epic skateboard chase, he retains the two-tone jacket but brings in a new shirt and pant combo. The shirt, now a red/blue piece with a wild diagonal stripe mixed with oversized squares is an EPIC one. Its a bold pattern, which again makes the 1950’s unique in it’s choice of casual patterns. It just has that retro appeal that I think would look great under a sportcoat, if there were just makers that had it (since a true vintage one would no doubt be expensive).
Note here that he’s now wearing some straight cut blue jeans. It’s different than his slightly acid-washed ones from the 80s, mainly in how it drapes. They’re not overly wide, but moderate, ending with a cuff. They look how I want my jeans to fit with proper drape. Again, Marty kills it.
At some point, Marty swapped his Corteze with black converse. Looks very 50’s when worn with cuffed blue jeans.
Another fun gab sportshirt that is worn untucked with a white undershirt base layer.
Note the two-tone coloring. Very 50’s.
His last major 50’s look is a sportcoat-trouser combo, worn to the Enchantment Under the Sea Dance. We don’t really get a good look at the full cut or details, so we’re left wondering if this is a true 50’s jacket (or designed like it) or something from the 1980s that they tried to pass off.
The choice of odd trouser, a charcoal grey fleck Again, this was a time of exploring fabrics and cuts in the realm of tailoring, and while illustrations may keep everything clean, photographs from the era showed that the youth always had a mishmash of things. It’s probably because they didn’t have dozens of trousers to begin with.
The wide cut may be inspired by the zoot suit (Marty does reference it in the film, but zoot suits were more of a 40s thing IIRC), but he rocks it all the same.
Since you get to see it in full force (along with white socks and black two-tone derbies) while he’s playing the guitar, perhaps it’s his way of exuding that rebellious rocker chic in 1955. He certainly stood out amongst the crowd!
Doc Brown
We don’t really get to see much of Doc Brown’s attire until Marty goes to visit him in 1955; Doc is just in a white jumpsuit in the Lone Pine Mall.
When Marty visits him, Doc seems to wearing a variation on what we’d expect a well-to-do heir would wear at home. A pink shirt (the 1950’s loved color, if you couldn’t already tell) and a white single stripe tie are fun nods to the fact that he’s an adult, but you get the affluent charm with an epic silver dressing gown.
With a scale-esque texture and it’s moderate black satin peak lapels (echoed by the pocket piping), it definitely has that post-war fun vibe.
When Doc goes with Marty to Hill Valley High to check out Marty’s parents, Doc has on a very typical “casual man” outfit. The tiki shirt is a no brainer at this point, but note the cool gab jacket he has on.
It’s definitely some form of leisure jacket with modest lapels, patch pockets, and a fun little monogram on the patch. Jackets like this were casual but they clearly took after the classic sportcoat design; it looks smarter than simply wearing a leather jacket or gab short jacket.
Also take note of his straw fedora (I don’t think it’s technically a panama hat). Instead of the traditional black band, he instead has an abstract design as a ribbon, which was a common trend in the 1940s-1960s for straw hats. It also just makes the hat much more casual, which is one of the reasons why it’s hard to wear fedora-type hats often.
Flecked trousers. The 1950s loved fleck.
A checked asymmetrical sportshirt with a yolked pocket flap.
Look at Doc’s weird shirt! Super cool and novelty style that was popular in the late 40s-50s. Finding one today would be rare and expensive.
Doc Brown’s last outfit in 1955 is hard to make out, as he wears an balmaccan style rain coat for the climax, but his polo-style shirt deserves some recognition. Like so many other pieces we’ve seen, the shirt features a fun print, consisting of red and black squiggles.
The shirt has a contrast collar/placket and cuffs, which again fits in with many of the stylistic choices of the era. I’m not sure if I would wear it today, but more brands should definitely take a page out of the era and make something “new”!
Marty’s dad, at least this version of him, dresses like a dweeb because he is a dweeb. It’s supposed to be 1985, where RL and other mall clothes are in full swing, and yet he dresses like a caricature of a 1960’s accountant.
Short sleeve shirt, repp tie, pen pockets, and browline glasses, all contribute to it. I mean I’ve worn socks and shorts together, but I don’t think it looked this bad.
I mean, it makes sense since the film is portraying George as someone who is unlucky, who gets bullied, and gathers no respect.
A flecked short jacket.
In 1955, George McFly actually dresses pretty decently! He’s not exactly sticking out like a nerdy sore-thumb. Like Marty, he wears a few different sportshirts and short jackets, though in comparison, they’re much more plain. George could also benefit with a better fit, but it’s not terrible. At least in most cases.
What George does make a habit of doing is wearing his sportshirts fastened all the way to the top. Now this was done back in the day, but based on photos and illustrations, sport collars were definitely best worn open.
It’s a nerd thing to do that came back in the mid 2010s as the “air tie” and always results in the wearer looking “closed up”. And since George is a nervous guy with no friends or confidence, it works perfectly.
I like the checked cloth and red buttons.
In one scene, George actually wears a two-tone Hollywood Jacket! Like with Doc’s ivory jacket, these are meant to be a casual-yet-tailored approach to casual wear. You’ll see that the cut and design are similar to a chore coat’s, just with shoulder pads and “formal” cloth.
George’s brown gab short jacket has shoulder pads and is a size or two too big for him. Also see how he’s got his shirt buttoned all the way up.
An interesting cotton short jacket with a wider collar and hand warmer pockets. Very cool.
George goes all out for the dance, mainly because it’s his big moment to “save” Lorraine. A white dinner jacket and black tie is hard not to separate from James Bond (or Casablanca), and its actually the first time George wears something that fits him well. It’s still in the 1950’s aesthetic, so he has padded square shoulders, a low button stance, and closed quarters.
When we return to good ol’ modified 1985, accounting-nerd George has been replaced by a true chad version. There are no short sleeve shirts and browline shades here. Instead, he has a very 80s biz-caz outfit consisting of a moleskin blazer, vibrant red polo, and pleated slacks. It’s not bold, but since this is a “normal” outfit, it contrasts against George’s first appearance.I also love the aviators for max 80s cool.
Biff Tannen
Biff. When we first see him, his commandingly bold 70’s outfit just screams like a guy who peaked in high school and still bullies others. Which is definitely true.
It’s such a weird look that actually has some prep vibes to it, mainly with the use of a navy brass button blazer and plaid odd trousers; I think I may even see a white braided belt.
1985 Biff actually dresses rather “normal” for the era, though he stands out for his boisterous character and sheer Kingpin-like aura.
It’s all just sportshirts, white crewneck tees, and jeans, nothing to write home about. but with it just being done with jeans and sneakers, it feels boring, mainly because its an easy way to do a 1950s look. It’s easy to replicate, but don’t forget that a sportcollar makes a world of difference; a regular standing collar wouldn’t achieve the same effect.
I guess the point is that Biff is just a regular old bully, contrasting against George’s plain looks that utilize jackets and Marty’s much more interesting take on the era.
Biff’s jacket of choice is a bomber style one that has black contrasting collar and cuffs. Can’t you see how popular two-tone clothing was in those days? Like Marty’s leather jacket, this one also ends around the waist, but instead of it just being a plain bomber design, Biff’s jacket has decorative front pleating. Don’t ask why, it’s just for show.
Like with the shirt patterns, I wish we also had more vintage-inspired jackets like this!
A black shirt and bold tie? I guess stereotypical prom style was a thing even in 1955.
Others
Strickland has a bowtie and suit, but if you look closely, the suit is very 80s with wide shoulders, open notch and low buttoning point.
In 1955, he has a suit that clearly has more weight and features a fun shadow stripe, a common thing for vintage suits.
Ivy style isn’t really in the film other than the committee deciding on the band. 80s ivy is just like 70s ivy tbh: just a more exaggerated and bold version of 60s ivy.
Goldie Wilson also wears a bar motif sportshirt, though with the wide collar, it might be from the 40’s. That makes sense, since he might not have access to current fashions.
Lorraine’s dad wears a car coat (an overcoat with a shorter length). He has a fedora, which gives him an “adult” look. Not sure if the trouser fit is right though.
As can be expected, Lorraine’s dad has a gab sportshirt. The shorter collar points and higher buttoning point is period accurate to the 1950s.
So much great stuff here, from the faded, cuffed denim and saddle shoes to the absolutely epic novelty knitwear. I’m very glad that the youth have a variety of style!
Striped shirts are what kids wore back then, not flat caps, plus-fours, and suspenders.
Biff’s gang all have variations on casual style. Is that a knit tee I see? Wish we could see the ribbing!
More variety in style here and it all looks period. Love the kid’s pastel blue pleated pants, the red sweater, and what I think is a Cub Scout uniform. Check out that tiny brimmed hat!
Marvin Berry and the Starlighters all wear 50’s silk dinner jackets with their quintessential square shoulders and low button stance. Instead of bowties, they have matching continental bow ties.
Great short jacket.
Conclusion
BTTF is a great example of a movie that makes 1950’s clothing seem accessible and easy. There isn’t a big focus on tailoring, which probably makes it much more palatable. Instead, we see casual 50’s, rockabilly-esque style, which informs a lot of the heritage-Americana that is so easy for guys to wear. Sportshirts and cuffed jeans should get you through the most of it.
The real way to make it interesting is by checking out how Marty does it. Instead of plain shirts, he wore fun patterns that made his attire stand out among the others. It might be vintage and dated, but I certainly love the personality they bring to an outfit, especially since today you can refine it by wearing with loafers or a sportcoat instead of on its own.
Bonus points for those epic two-tone jackets (or leather jackets in general). I’m not sure if the world is ready for the return of hollywood jackets, but after the rise of chore coats and safaris, maybe there’s room for it.
Overall, I think a lot of guys who are searching for a more interesting way to dress can take some cues from this. BTTF did a great job and since it didn’t go too crazy (note the lack of flat caps, which if included would just be inaccurate), it comes off as classic and actually wearable.
I love this movie and I hope you enjoyed this dive into the costuming
Always a pleasure,
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Ghostbuster - Ecto 1
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/3/31/ghostbusters-ecto-1
Cars of Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/10/the-cars-of-back-to-the-future-55-
Back to the Future Fashion
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/19/back-to-the-future-fashion-te2yx
Ariel Leader
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/17/ariel-leader
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history-jxrr4
Back to the Future Gadgets and Trends we have in 2021
Doc Browns Biography and the History of his DeLorean Time Machine
Marty McFly Biography also featuring Biff, George, Jennifer, Loranine
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history
Back to the Future - Detailed storyline
Back to the Future - How to generate 1.21 Giggawatts / Jiggawatts with Mr Fusion
What is a Fat Bike ? And where did the idea of Fat Bikes come from ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/10/fat-bike-what-is-a-fat-bike-history
The Time Paradox explained - Back to the Future
The Sinclair C5
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/9/sinclair-c5-
Mini Jeep Mini Review
https://www.sandstoneproductions.co.uk/blogtothefuture/minicoolsterjeepreview
Hoverboards - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/12/13/hoverboards-
How does the Time Machine work - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/how-does-the-time-machine-work
The DeLorean Motor Company - What did it fail ? Or did it ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/whydiddeloreanmotorcompanyfail
The DeLorean Motor Company - History
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/deloreanmotorcompany
The Flux Capacitor - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/fluxcapacitor
Is Time Travel Possible ? And what would it take ? Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/istimetravelpossible
External links
§ https://backtothepredictions.com/category/fashion/
§ https://backtothepredictions.com/category/fashion/clothing/
§ https://backtothepredictions.com/tag/clothing/
§ https://backtothepredictions.com/tag/fashion/
References
1. ↑ http://www.bttf.com/forums BTTF.com Message Board
2. ↑ http://www.bttf.com/forums BTTF.com Message Board
3. ↑ http://www.bttf.com/forums/topic.php?tp=38901-I+FOUND+IT%21+This+is+like+finding+the+holy+grail...+I+have+found+the+Marty+McFLy+Vest%21%21%21#
4. ↑ BTTF III novel, p. 38, 39
5. ↑ Velcro 50th Anniversary : Timeline, see "1985".
6. ↑ BTTF III novel, p. 73
7. ↑ BTTF III novel, p. 98, p. 205
8. ↑ Feature Commentary with Bob Gale and Neil Canton, Part I, at about 1:10.
9. ↑ Gaines, Caseen, We Don't Need Roads: The Making of the Back to the Future trilogy, p. unknown
10. ↑ http://www.icollector.com/Back-To-The-Future-2-Marty-s-Something-Inconspicuous-Fedora-Michael-J-Fox_i20788290
11. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 71-72.
12. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 60-61.
www.sandstoneproductions.co.uk
Great Scott !!! How to generate 1.21 Giggawatts (Jiggawatts) with Mr Fusion ...... in the DeLorean Time Machine
Sending you Back to the Future ! But how could Doc Brown invent, design, and build a Time Machine out of a DeLorean ? …. And could it be possible in the Future ? We explore the science behind this amazing Si/Fi Stainless Steel Car
We all know what Doc Brown said in the first movie.
"I need a nuclear reaction to generate the 1.21 gigawatts of electricity I need".
Your Built a Time Machine ….. Out of a DeLorean ! ….. We explore the science behind Doc Browns amazing Time Machine, starting with what is 1.21 Gigawatts and how can you generate that kind of Power …….
Great Scott! Marty: What? What the hell is a gigawatt?
1.21 Gigawatts was pronounced (on set) as it were spelled with a "j", as in jigawatts (or jigowatts)..
So, how much is 1.21 gigawatts you ask?
Well, a gigawatt is equal to one billion (10 9) watts or 1 gigawatt = 1000 megawatts.
A watt is a unit of power.
Your typical 100 watt incandescent light bulb draws 100 watts of energy, so 1.21 gigawatts would be able to light over 12 million 100 watt light bulbs. 1.21 gigawatts is also equivalent to 1,621,400 horse power
How does the plutonium in the BTTF car generate 1.21 gigawatts in less than a couple of minuets?
Well the meaning of power (the watt is a unit of power). Power refers to the rate at which energy is produced. Power can be one of several things. The most often way to describe it is the change in energy in a certain amount of time.
1 watt = 1 joule per second where a joule is a unit of energy. Horsepower is another unit of energy where 1 hp = 746 watts.
(roughly equivalent to the amount of energy it takes to lift a medium large apple 3 feet)
If energy is measured in units of Joules, and the time interval is in seconds the power would be in Watts.
What about the giga? Giga is a prefix for units that typically means 10 to the power of 9.
This means that 1.21 gigawatts would be 1.21 x 10 to the power of 9
This means producing a given amount of power in a limited amount of time is not an important problem.
If you have a battery that can store only 1 joule of energy : but will discharge in a nanosecond the power output will be a gigawatt, but only for that nanosecond.
A large marine battery can store 8 megajoules and could theoretically produce 1.21 gigawatts for .066 seconds.
Nowhere in the movies is it stated for how long the 1.21 gigawatts needs to be produced, but we can estimate an upper limit based on the properties of lightning.
A typical bolt of lighting contains about a gigajoule of energy and lasts for .2 seconds.
The dynamics of how the lightning was used to power the flux capacitor indicates that it was directly powered by the lightning and no storage battery was involved. We can therefore deduce that the maximum energy needed to create a temporal shift is 1.21 gigajoules/sec X .2sec = 242 megajoules.
We now have two ways to power the flux capacitor:
1) Feed it directly from gigawatt capable generator or
2) Use a lower power generator to charge up a 242 megajoule battery.
A currently available 242 megajoule battery weighs a little over 200 pounds and is the size of a standard blue home recycling bin.
While this type of battery is not rechargeable and cannot deliver all of it’s energy in .2 seconds it gets us in the ballpark of what is needed.
On the other hand there are no gigawatt generators currently available that could fit in a container sized truck , much less a Delorean.
We therefore conclude that in standard mode the flux capacitor is battery powered for the .2 seconds or less it is in use and the plutonium generator does not need produce 1.21 gigawatts.
If we allow for a 24 hour recharge time for the battery then the generator only needs a continuous output of 2600 watts. No problem for an eccentric genius.
Paul Grimshaw - IT Architect in the Computer Industry (1983-present)
How many AA batteries would it take to generate the 1.21 gigawatts of electricity needed to send Doc Brown’s Delorean back to 1985?
Let’s see, you can squeeze around 5A at 1V out of a decent NiMH AA cell, so that’s 5W.
To get 1.21GW you would therefore require 242,000,000 cells
NiMH AA batteries weigh around 30g per cell, so 242 million of them would total 7,260 tonnes!. With cabling that’s around the weight of a modern Navy Destroyer ship.
AA batteries are 14mm diameter and 50mm long. Allowing a little room for cabling, you can squeeze 100 batteries in 1000 cubic cm (1 litre).
So for 242,000,000 cells you would need 2,420 cubic metres. That’s about the size of 10 double decker buses.
So probably not the most practical of options.
Instead, ironically, capacitors would be a much better idea for powering a flux capacitor.
Not just any old capacitors, but some of the capacitors capable of outputting the highest powers as listed here:
SERIES CMX - Self-Healing Energy Storage Capacitors
The 3330CMX2205 looks particularly suitable, each one capable of outputting 100,000A at 3,300V.
So just four of these could generate a colossal 1.32GW - that’s more than enough to send Doc to 1985 AND power his heated car seats at the same time.
Weighing in at 49kg each, four of these capacitors weigh a mere 196kg - let’s round up to 200kg with some mounting brackets. Spacewise, the bank of four capacitors occupy 0.66 x 0.41 x 0.56m, so these would fit comfortably in the trunk, with room for a set of golf clubs to spare.
Did anybody spot the name of the capacitor manufacturer in the link? Yep, it’s General Atomics. So it may not be Plutonium, but it’s still Atomic powered!
Just the job. To be fair, these capacitors can only output this level of power for a fraction of a millisecond, but I’m pretty certain that’s more than enough time to get back to 1985 as long as the car is going fast enough.
Also they would be ideal for recharging by lightning ready for the trip back. As you can see in the picture, they even have a convenient warning on the front not to handle the lightning whilst it’s running through the cable.
On a slightly more serious note, capacitors are commonly used to provide very high power short duration energy bursts. One example is at the US National Ignition Facility, where they have 4,000 capacitors similar to those above, in this case to power their laser.
The energy stored is again released in a fraction of a millisecond, but this time at a power exceeding 1 TeraWatt. That’s a thousand times that used by Doc, and it exceeds the peak electricity demand of the entire US.
Scott Soloway - Degree in math and physics but majored in pinball
Paul Grimshaw - IT Architect in the Computer Industry (1983-present)
The lower thrust fusion rocket produces 187.1 GW of power. Ten of these plants would power all industry on Earth.
How Do You Get 1.21 GigaWatts For Your Time Machine?
Is that a large amount of power?
Yes. Just for comparison, the nuclear power reactors in a Nimitz Class Aircraft Carrier produces 194 megawatts (1.94 x 108 watts).
Or perhaps you would like to compare this to the flying S.H.I.E.L.D. Helicarrier. With my calculations, I get a power requirement of 317 gigawatts.
What Does Doc Brown Even Mean?
How much power does it take to travel through time?
Well, Doc said 1.21 gigawatts.
If I want to calculate the energy required for time travel, I will need the power (given) as well as the time.
How Long Does it Take to Travel in Time?
That's actually looks like a stupid question. Oh well. Let's take a look at the actual real life footage of the time machine (from the historical archives).
Time travel is possible if you get the car up to 88 mph.
Is this car going 88 mph? Is there any way to tell? Oh, yes. Yes, there is. All I need to do is to look at this car (a DeLorean) and use – video analysis. The clip isn't perfect, but I think it will give a good enough estimate. I can scale the video using the wheel base of 2.413 meters.
Here is a plot of the position of the DeLorean in the first time travel (with the dog in the car).
The slope of this line puts the car's speed at 56.7 m/s (127 mph). Yes, that is faster than 88 mph. I'm not sure why the one frame repeated. Also, there could be a problem with my scale since it was rather difficult to see the car. Here is the next time the car gets to a speed near 88 mph (when Marty first goes back in time).
Well that's not good. This give a speed of 29 m/s (65 mph). For this video, the car isn't quite up to 88 mph so this seems ok. I guess I should look at the last time travel speed (when Marty goes BACK TO THE FUTURE). Oh, actually there is not a good shot to analyze there. Oh well, the second shot is close enough to 88 mph, that I will just stick with that.
What about the time interval? For the first test, I looked at the time from just when the car started to shoot sparks until it "exploded".
This gives a time of 4.3 seconds. But wait !
What about the case when a lightning bolt is used to power the car? For that case, the time machine is only getting power for at most 0.46 seconds. So, there are two different time intervals for two different trips through time.
Time Travel Energy
Now that I have the power AND the time, I can calculate the required energy. Let's just do it (for both time interval estimates).
That's not so bad. I have an energy range with the high end just a factor of 10 higher.
Now, how do you get 5 x 108 - 5 x 109 Joules?
Doc Brown's first choice was to use plutonium. Although he didn't give too much of the details, I guess he was using Plutonium-239. Pu-239 is radioactive, but I don't think that's how it gave energy in this case.
Instead, I guess that there was some type of fission process that broke the nucleus into smaller pieces. Since the pieces have less mass than the original, you also get energy (E = mc2). The Wikipedia page on plutonium as the details, but let's just say that one Plutonium atom produces 200 MeV (mega electron volts) in the fission process (3.2 x 10-11 Joules).
In a typical nuclear reactor (which probably wouldn't use Plutonium-239), this energy is used to increase the temperature of water to make steam. The steam then turns an electric turbine to produce electricity. Clearly, that's not happening here. I'm not sure what's going on - but surely it's not a 100% efficient process. I am going to say it's 50% efficient.
In order to get 5 x 108 Joules, I would need:
Since 1 Plutonium-239 atom has a mass of 3.29 x 10-25 kg, this would require a fuel mass of just 1.2 x 10-5 kg. That seems possible.
What about a lightning bolt? Could you get this much energy from lightning? According to Wikipedia, a single bolt of lightning can have about 5 x 109 Joules. That would be just perfect for the time traveling machine.
But what if lightning & Plutonium for an energy sources are just difficult to get hold of ?
Maybe batteries would be an interesting way to power this machine.
How many AA batteries would you need? From a previous post,
I already know that a high quality AA battery has about 10,000 Joules of energy. In order to get 5 x 108 Joules, I would need 5 x 104 AA batteries. Of course, that assumes that I could completely drain these batteries in just half a second. Damn, those things would get hot.
Homework
Clearly, there are other questions. Here are some that I can think of.
How much space would a DeLorean need to get up to 88 mph? You can look up the time for it to get from 0-60 mph and assume that it has a constant acceleration.
At the end of Back to the Future, Doc Brown replaces the Plutonium energy source with a Mr. Fusion. Estimate how much energy he could get from a banana peel.
· If you watch all three movies in the Back to the Future series, there are several times that the car gets up to 88 mph. Use video analysis to check the speeds.
·
How long would it take current from the lightning strike to travel from the clock tower to the car?
·
Suppose that Marty is 1 second late on his start to get to the lightning wire. How much greater of an acceleration would he need to make it to the wire on time (assuming that over 88 mph works just as well as 88 mph)?
·
What if there wasn't a known source of lightning? What other ways could Doc get energy to power the DeLorean in 1955 (or whatever the year was)?
·
Assume that the energy needed to time travel was directly proportional to the mass of the object. Would the S.H.I.E.L.D. Helicarrier have enough power to go back to 1957?
Carmen Drahl Former Contributor Science
Wheres Mr Fusion ?
To get some answers, I spoke with Egemen Kolemen. He’s a specialist in the control of fusion plasmas at Princeton University, where he is an assistant professor with joint appointments at the Andlinger Center for Energy and the Environment, the department of mechanical and aerospace engineering, and the Princeton Plasma Physics Laboratory.
Egemen Kolemen, Princeton University (Credit:
Our Q&A is below, and is lightly edited for clarity.
Carmen Drahl:
Thanks for talking futuristic fusion with me, Dr. Kolemen!
In Back to the Future, the central time travel device was originally powered by plutonium, but this was replaced by the Mr. Fusion reactor.
What’s the difference between how radioactive plutonium might generate electricity and how a fusion reactor would?
Egemen Kolemen: Radioactive plutonium produces energy by splitting up to smaller elements, which is known as the fission reaction.
In a fusion reactor, we combine small nuclei to make energy. Soon enough, we hope to move from fission to fusion technology just as Back to the Future II predicted.
This would help Doc Brown avoid troubles with the terrorists in the original movie— we use water as fusion fuel and you cannot make an atomic bomb with water!
CD: Mr. Fusion was able to generate power from household garbage— a banana peel, Miller beer, and even a beer can! What are the typical starting materials that are used in fusion reactors today?
EK: We use isotopes of the element hydrogen (known as deuterium and tritium) in current fusion reactors. There is enough heavy hydrogen fuel in sea water, H2O, to fuel the world’s energy needs for billions of years.
CD: In theory, could Mr. Fusion have been generating power by fusing together several different atoms or isotopes contained inside the garbage?
Or could the reactor only work by fusing deuterium and tritium in the garbage? In other words— could you generate energy from fusing many different nuclei?
EK: Theoretically, fusing elements lighter than iron releases nuclear energy. If a clever physicist could overcome the engineering problems, a machine like Mr. Fusion could physically make energy by fusing banana or beer which mostly consists of carbon, oxygen and hydrogen. (It would even work for a beer can made of aluminum!). This is the process that happens in the core of large stars which is the birthplace of all the heavy elements in the universe.
However, as the elements get heavier, the fusion process gets harder and requires more energy to initialize and becomes less economical. That is why we use the isotopes of hydrogen, the lightest element in the universe.
There is no physics reason why you could not fuse many different nuclei.
Stars fuse many different elements with each other.
However, just as cars are designed to run with only one specific type of fuel (gasoline, diesel, etc.) to make them more efficient and economical, fusion reactors that work on preset fuels would be cheaper and an easier engineering challenge.
CD: Mr. Fusion was the size of a coffee maker.
That’s pretty tiny compared to the typical fusion reactor—
the experimental reactor being built in France will be over 5000 tons!
What are the challenges to making fusion reactors small?
EK: The fusion process happens when two particles hit each other each other at high velocity inside the reactor.
So, the energy production in a fusion reactor grows roughly in proportion to the volume (or the number of particles inside) of the reactor.
At the same time, the energy loss occurs mostly due to the drifting particles out from the surface of the reactor. As the reactor size gets bigger, volume which grows roughly as the cube of the radius increases much faster than the surface which grows as the square of the radius.
As a fusion reactor gets bigger the ratio of energy production to losses increases making it easier to produce net energy.
We use very strong magnetic forces to be able to confine the deuterium, tritium and electrons inside the reactor. If one can build superconducting coils that can produce much stronger magnetic fields (i.e. a stronger trap) than the ones available today, a smaller machine might be possible. This is an active research topic!
Interior of the National Spherical Torus[+]
CD: We’ve all seen car engines malfunction. Could Mr. Fusion explode in a mushroom cloud destroying everything in a 250 mile radius if something went wrong?
EK: Fusion is a delicate process that needs constant control. Unlike fission reactors, fusion cannot have a runaway chain reaction. If the “engine” malfunctions, the fusion process would stop immediately. So no explosion is possible. That is one of the many advantages of fusion energy.
CD: Mr. Fusion would have to be doing hot fusion, because cold fusion is a myth, right?
EK: There is no scientifically known net energy-producing cold fusion reaction.
CD: So since you do have to heat your starting materials to extremely high temperatures to achieve fusion, how cool can we make the outside of a fusion reactor—cool enough to safely attach to a vehicle?
EK: The wall inside the fusion vessel would be hot just as the inside of the car engine. However, the reactor would have a cooling system, similar to the radiator in a car, making the outside of the reactor at room temperature. The reactor would be as safe as the car engine.
CD: We still haven’t passed the break-even energy point in nuclear fusion— where we get more energy out of fusion than we had to put in. What gives you reason to think we’ll get there?
EK: We have been running experiments on many different fusion reactors all around the world and comparing the experimental data we obtain to computed simulations of the physics process.
We have been upgrading our simulation capabilities using new numerical methods and tools and checking against the experimental data.
At this point, we can reproduce and predict experimental outcomes in existing fusion reactors. We believe that our understanding of the physics and capability to simulate processes are advanced enough to roughly predict how a reactor will behave.
Based on this understanding, we designed the ITER (International Thermonuclear Experimental Reactor) nuclear fusion reactor. ITER is under construction under an international collaboration, and it is expected to come online in a decade.
We predict that we will obtain 10 times more fusion energy output as the power we put in. As with any research, we can only know the exact answer after running the machine but we try to do our best to predict the reactor behavior.
CD: Thank you for your time, Dr. Kolemen!
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I'm an independent journalist specializing in chemistry, in particular the places where chemistry meets biology. I was a staff science writer at Chemical & Engineering…Read More
As a renewable energy source, cold fusion is potentially unlimited clean energy. But what is fusion energy, how does it work, and is there such a thing as cold fusion?
You may have heard about cold fusion, the idea that atoms can be fused together without using any significant heat or other type of energy and yet producing a great deal of energy.
This philosopher’s stone has been the object of the quest of many a modern-day alchemist, so we shall leave it to them.
Hot fusion, however, is real. It’s what happens inside the sun and other stars. Nuclei of atoms crash into each other at great speed, resulting in fusion and a great deal more energy released. Research and development into fusion energy is trying to create similar reactions here on Earth at over 100 million degrees Celsius.
The opposite of nuclear fission
Fusion energy, in a way, is the opposite of what we conventionally call nuclear energy – although fusion energy also deals with the nucleus of atoms. In current nuclear power plants, the energy comes from splitting the atom.
Fusion, as the name suggests, produces energy not by breaking atoms apart, but by fusing them together.
The real difference comes from the kind of elements involved in these processes. What we know as nuclear energy requires elements with big, heavy atoms like uranium or plutonium that can be split into smaller atoms.
However, uranium, plutonium, and their fission products are radioactive, which means that when they decay they emit ionising radiation, which in certain circumstances might be dangerous to humans.
Fusion energy instead is based on combining two lightweight atoms – usually hydrogen. When two hydrogen atoms fuse, they create helium.
So not only does fusion energy rely on the most abundant element in the universe, its byproduct can be easily used for medical purposes, or to blow up balloons.
Try pushing two magnets together
How do you fuse two atoms?
The challenge comes from the fact that the nucleus of an atom contains positively charged protons and neutral neutrons, as you will surely recall from your physics class.
Therefore, the nucleus of an atom will always carry a positive charge. Trying to combine it with another one with a positive charge is like trying to push two magnets towards each other. They will resist. This is why fusion energy uses the lightest atoms possible. But it is still very hard.
Inside the sun, fusion occurs because the immense gravity draws atoms together, creating extreme density and enormous heat, which makes the atoms collide with each other at great speed.
The force of gravity is much weaker on Earth, because of the relatively small size of this planet, and the temperature – despite global warming – is nowhere close to the heat of the sun. So how can we create similar conditions here for fusion to occur?
Hotter than the sun
The answer is fairly obvious. To make up for our lower gravity, you simply have to create a temperature hotter than the sun.
Six to ten times hotter, up to 150 million degrees Celsius. Here on Earth this tremendous heat will create the conditions to allow the hydrogen atoms to bump into each other, resulting in fusion and generating even more energy.
Sounds easy? There are quite a few details that need to be ironed out.
First issue: where could you create such a temperature, so that the heated substance wouldn’t destroy everything it touches?
Again, the solution is simple: don’t allow it to come into contact with anything. To achieve this, Russian scientists in the middle of the 20th century developed the tokamak, a chamber the shape of a hollow doughnut, surrounded by powerful magnets.
Inside this chamber, the hydrogen gas is heated to an extremely high temperature and transformed into a plasma state.
The plasma state is one of the four fundamental states of matter, in which the gaseous substance becomes ionised – because electrons orbiting the atomic nuclei are stripped away.
The ionised matter is electrically conductive and therefore the magnetic fields can dominate the behaviour of the matter. That is where the magnets come in.
Magnets can keep this electrically conductive substance from approaching the tokamak’s walls, hovering above it. Inside the plasma, the conditions are suitable for the atoms to bump into each other and to fuse, releasing energy.
The world’s largest experimental tokamak nuclear fusion reactor – called ITER – is under construction in France, to prove the feasibility of thermonuclear fusion as a large-scale and carbon-free source of energy.
ITER is an international research and engineering megaproject involving the European Union, China, India, Japan, South Korea, Russia and the US.
If successful, the facility will turn 50 MW of power inserted into the system – to initially heat the plasma – into fusion power output of 500 MW.
A lot of doughnut
The ITER reactor will be huge:
the ITER tokamak will be as heavy as three Eiffel Towers;
the structure of the 1 000-tonne electromagnet in the centre of the machine must be strong enough to contain a force equivalent to twice the thrust of the Space Shuttle at take-off (60 meganewtons, or over 6 000 tonnes of force);
there will be 18 D-shaped electromagnets around the doughnut-shaped tokamak chamber, each of them 17 metres high and 9 metres wide, weighing 310 tonnes, the approximate weight of a fully loaded Boeing 747-300 aeroplane.
270 million degrees Fahrenheit to ignite fusion—a full ten times hotter than the sun's core.
But how could we get that enormous energy out of the doughnut and safely channel it into our homes as electricity?
This is done via the main chamber wall and a region called the divertor, positioned at the bottom of the tokamak. The divertor controls the exhaust of heat, waste gas and impurities from the reactor and withstands the highest surface heat loads. The surface of the divertor is covered by tungsten, the metal with the highest melting point (3422°C).
In 2019, with the backing of the European Fund for Strategic Investments, the European Investment Bank signed a €250 million loan to the Italian research agency ENEA to help build the divertor and tokamak test facility. The plant will test various alternatives to exhaust the huge amount of heat flowing into the divertor component of a nuclear fusion reactor.
A glorified steam turbine
Researchers continue to look for alternatives, but as it stands now the whole process of transitioning the heat to electric power then becomes rather old-fashioned.
The heat received by the plasma-facing wall and the divertor will be used to turn water into steam, which will drive a steam turbine. divertor, positioned at the bottom of the tokamak“The scientific advances towards fusion energy are not likely to occur like the apple falling on Newton’s head,” says Istvan Szabo, a senior engineer in the European Investment Bank’s energy security division. “You need many more resources.”
Szabo concedes it is possible that tomorrow someone will come up with a completely different solution to harness fusion energy, or a different answer to the need for sustainable energy to power us into the future.
“There are other ideas to compress matter and fuse atoms. For example to use lasers or mechanical compression. And maybe someone will one day solve cold fusion,” Szabo says. “But testing these will all require immense resources.
Thermonuclear fusion is furthest along the research and development phase. It offers the most hope.”
Cold fusion remains elusive—but these scientists may revive the quest
The first public results from a Google-funded project reveal renewed interest in the long-sought but controversial nuclear energy source.
BY MICHAEL GRESHKO
PUBLISHED MAY 29, 2019
Sparking a controversy
Nuclear fusion occurs when pairs of light nuclei fuse together to form a nucleus of net lighter mass, releasing huge amounts of energy as described by Einstein's iconic equation E = mc2.
Inside the sun, hydrogen atoms fuse to produce helium and energy. If successfully harnessed on Earth, fusion could provide humankind with abundant, emissions-free energy—a huge boon to efforts to combat climate change. (As a byproduct, fusion on Earth might also help to address a global helium shortage.)
But getting fusion to work on Earth is tricky, since it's hard to get two nuclei close enough to combine; atomic nuclei are positively charged, so they fiercely repel one another, a hurdle known as the Coulomb barrier.
Crossing this barrier and realizing fusion power is possible at high densities and temperatures, if the nuclei are confined for a sufficiently long time. But to achieve these conditions, scientists seem to need large, expensive machines and huge amounts of initial power.
“What nature does with the enormous force of gravity in the sun's core is what mankind has been trying to do under controlled conditions in the laboratory,” says physicist Amitava Bhattacharjee, the head theorist at the Princeton Plasma Physics Laboratory, one of the leading fusion research groups in the U.S.
“For the last 60 years we’ve been at this, and I think the progress has been enormous,” he adds. “But we still continue to have a challenge to make nuclear fusion power inexpensively available to people.”
But what if cleverly structured materials could somehow lower the energy needed for fusion? That's what chemists Martin Fleischmann and Stanley Pons at the University of Utah thought they had achieved.
On March 23, 1989, University of Utah chemists Martin Fleischmann and Stanley Pons announced their "cold fusion" device to the world—sparking a scientific firestorm.
But for many, excitement quickly gave way to skepticism. Early outside attempts to replicate the results didn't turn up massive amounts of heat, nor did the setup appear to yield many high-energy neutrons, a signature of conventional nuclear fusion.
“In March 1989, everybody jumped on this topic, even serious fusion physicists (like me),” Hans-Stephan Bosch, the head of the Wendelstein 7-X fusion experiment at the Max Planck Institute for Plasma Physics, writes in an email.
“However, we didn’t find any positive result confirming their claims. Therefore we finished our work, published it, and closed the topic. My impression is that most physicists and chemists did the same, regarding cold fusion as an 'interesting' episode.”
Ever since, cold fusion largely served as a parable on the perils of irreproducibility. But a small group of researchers and enthusiasts has remained convinced that the phenomenon is real and nuclear in nature, though not necessarily the same thing as fusion.
This scientific circle still does experiments and reports its results in its own meetings and journals, though it has shed the “cold fusion” name for low-energy nuclear reactions, or LENR
Small modular reactors (SMRs) are a type of nuclear fission reactor which are smaller than conventional reactors.
This allows them to be manufactured at a plant and brought to a site to be assembled. Modular reactors allow for less on-site construction, increased containment efficiency, and enhanced safety due to passive nuclear safety features.[1]
SMRs have been proposed as a way to bypass financial and safety barriers that have plagued conventional nuclear reactors.[1][2]
Several designs exist for SMR, ranging from scaled down versions of existing nuclear reactor designs, to entirely new generation IV designs.
Both thermal-neutron reactors and fast-neutron reactors have been proposed, as well as molten salt and gas cooled reactor models.[3]
A main hindrance to the commercial application of SMRs as of 2015 is licensing, since current regulatory regimes are adapted to conventional nuclear power plants and have not been adapted to SMRs in terms of staffing, security etc.[4] Time, cost and risk of the licensing process are critical elements for the construction of SMRs.[5]
Some larger SMRs require more significant on-site construction, such as the 440 MWe 3-loop Rolls-Royce SMR, which targets a 500-day construction time.[9]
SMRs are particularly useful in remote locations where there is usually a deficiency of trained workers and a higher cost of shipping. Containment is more efficient, and proliferation concerns could be lowered.[10] SMRs are also more flexible in that they do not necessarily need to be hooked into a large power grid, and can generally be attached to other modules to provide increased power supplies if necessary.
Companies that are planning new nuclear units are currently indicating that the total costs (including escalation and financing costs) will be in the range of $5,500/kW to $8,100/kW or between $6 billion and $9 billion for each 1,100 MW plant.
The smallest nuclear reactor in operation today isn't from some startup or a cutting-edge nuclear agency: It's tiny, frozen Bilibino Nuclear Plant in Chukotka, Russia, where up to four different 12 MWe modular reactors have run since 1974.16 Dec 2019
Is it legal to own a nuclear reactor?
While they might un-nerve the neighbours, fusion reactors of this kind are perfectly legal in the US
Other questions are :
How can we generate 1.21 Gigawatts in real life, now that we're 20 years ahead of Doc Brown?
Was a bolt of lightning really the only way to produce 1.21 gigawatts back in 1955?
How can we generate 1.21 Gigawatts in real life, now that we're 20 years ahead of Doc Brown?
Was a bolt of lightning really the only way to produce 1.21 gigawatts back in 1955?
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To find out more fun Future Facts by clicking our Blogs below……….!!! Please Share …..
Ghostbuster - Ecto 1
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/3/31/ghostbusters-ecto-1
Cars of Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/10/the-cars-of-back-to-the-future-55-
Back to the Future Fashion
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/19/back-to-the-future-fashion-te2yx
Ariel Leader
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/17/ariel-leader
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history-jxrr4
Back to the Future Gadgets and Trends we have in 2021
Doc Browns Biography and the History of his DeLorean Time Machine
Marty McFly Biography also featuring Biff, George, Jennifer, Loranine
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history
Back to the Future - Detailed storyline
Back to the Future - How to generate 1.21 Giggawatts / Jiggawatts with Mr Fusion
What is a Fat Bike ? And where did the idea of Fat Bikes come from ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/10/fat-bike-what-is-a-fat-bike-history
The Time Paradox explained - Back to the Future
The Sinclair C5
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/9/sinclair-c5-
Mini Jeep Mini Review
https://www.sandstoneproductions.co.uk/blogtothefuture/minicoolsterjeepreview
Hoverboards - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/12/13/hoverboards-
How does the Time Machine work - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/how-does-the-time-machine-work
The DeLorean Motor Company - What did it fail ? Or did it ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/whydiddeloreanmotorcompanyfail
The DeLorean Motor Company - History
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/deloreanmotorcompany
The Flux Capacitor - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/fluxcapacitor
Is Time Travel Possible ? And what would it take ? Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/istimetravelpossible
Back to the Future Fashion
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation. Those who don't dress appropriately are often viewed as outcasts or rebels, or at the very least, odd and out-of-place, so Marty McFly's clothing proved to be an endless source of embarrassment for him during his adventures, in spite of Dr. Emmett Brown's attempts to be prepared.
They generally had three options when they traveled from one time period to another:
They purchased and changed clothes after arriving in a new time period
They tried to find appropriate clothes for their destination before traveling
They neglected to change clothes and just endured the awkwardness of attracting attention.
Note: Outfits are described here under the time periods the clothing came from, which were not necessarily when they were worn.
Back to the Future Fashion
Outfit 1: Marty McFLY
This Marty McFly outfit is probably the most iconic of them all.
Everything from the vintage wash denim jacket and faded dad jeans, to the orange puffer vest, looks as good now as it did back in ’85.
Trainers
They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew.
Denim Jacket:
Quilted Vest:
Tennis Sneakers: Nike Killshot 2 (They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew)
Aviator Sunglasses: RayBan
Retro Calculator Watch: Casio
Marty
"Life preserver" First day of school in 1955
Marty wore a red and gray jacket (that he took off in the school cafeteria), white shirt with light blue rectangles, brown pants, brown loafers (slip- on shoes), and had hair tonic in his hair.
"Darth Vader"
The day of the skateboard chase – Marty wore the same red and gray jacket, this time with a black shirt with red chain link pattern, brown pants and Converse Chuck Taylor All-Star shoes.
"That zoot suit"
Marty wore a gray wool suit, a white shirt and narrow red tie, that afterwards he called a “zoot suit”. "Get yourself some 50’s clothes ... something inconspicuous!"
—Doc to Marty
Marty in his "inconspicuous" disguise.
"Something inconspicuous"– Marty chose an “inconspicuous” outfit to cover his basic outfit; he added a black felt fedora hat, black leather jacket and dark sunglasses. When Biff confronted Marty, he referred to the outfit as "that stupid disguise".
After getting to Biff's car, Marty took off his sunglasses. At the Enchantment Under the Sea dance, Biff's gang member Match wondered how he changed his clothes so fast. After being knocked down by a door as his other self ran through it, and when Biff stole back the almanac, Marty was forced to abandon the fedora, which had fallen off his head. When taking Doc back to his mansion, Marty put the jacket and Nikes by the fireplace, along with the letter, so they could dry off.
At the Delgado Mine – Marty wore the same clothes as the day of the skateboard chase, and added a tan overcoat.
Marty's 1955 western outfit
"Clint Eastwood never wore anything like this" – Doc prepared Marty to travel to 1885 with a pink and blue shirt with long, yellow fringe running along the chest, back and sleeves, under five embroidered atomic model designs on the front and back of his shoulders, a red bandana around his neck, red corduroy pants, an ornately tooled belt with golden sunburst buckle, white Nike sneakers, and carried along a white cowboy hat and boots that were too tight.
Outfit 2: Biff Tannen
Oh Biff — the mild mannered, charismatic antagonist of the Back To The Future trilogy.
Contrasting shirt tie combo, for the pants I tailored wool (herringbone) trousers. And for the shoes, black leather with white soles to complement the shade of the knit tie.
· Bomber Jacket: (alt) Grey
· Charcoal Wool Trousers
· Black Oxford Shirt
· Grey Knit Tie
· Black Minimalist Sneakers
Outfit 3: George McFly
The timid George McFly
· Harrington Jacket: ASOS
· Olive Corduroy Pants: Everlane
· Grey Oxford Shirt: Everlane
· Black Frame Eyeglasses: Warby Parker
· Navy Suede Chukka Boots: Thursday Boot Co.
Outfit 4: Emmett Lathrop ‘Doc’ Brown
Doc Brown, the effervescent inventor of the first time machine, built out of a DeLorean sports car.
Often in a state of shock and awe, Doc had some questionable outfits throughout the series.
· Khaki Trucker Jacket: Flint and Tinder (alt)
· Slim Fit Alpha Khaki: Dockers
· Stripe Polo Shirt: Amazon Essentials
· Suede Sneakers: Koio
“…your future hasn’t been written yet. No one’s has! Your future is whatever you make it. So make it a good one!”
https://www.gentlemanwithin.com/back-to-the-future-fashion/
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation.
Clothing in 1985
"C'mon, I had to change! You think I’m going back in that-- that zoot suit?"
—Marty
Basic outfit –
During most of his adventures, except when he changed clothes in 1955 and 1885, Marty wore Guess blue jeans with black 3/4" suspenders, a red t-shirt, lavender ("purple") Calvin Klein underpants, and white Nike Bruin shoes with red swoosh and backtab
(no word Nike on them until he visited 1885) with gray socks (changed to white socks when he visited 2015).
School outfit –
From Friday before school through his first day in 1955, Marty added a Guess Marciano two-tone blue denim jacket with an "Art in Revolution" button, a Fender P-Bass pin and a white checked Shah Safara shirt to his basic outfit.
He accessorized this with a Casio CA50W digital watch on his left wrist, a silver Aiwa model HS-P02 Walkman, and mirrored Zeiss aviator sunglasses with a sweatguard in the morning.
"Life preserver" – From the evening at Twin Pines Mall through his first day in 1955, Marty added a dark orange Class-5 bubble down vest to his school outfit.
Tales From Space – Doc gave Marty a yellow full-length radiation suit for protection when loading the plutonium. Due to the similarity of his outfit to that of a space alien on a comic book cover, his outfit scared the Peabody family and an elderly couple driving past Lyon Estates in 1955.
"Darth Vader" – Marty wore the yellow full-body radiation suit, a hair dryer from Doc Brown's suitcase tucked into a belt, and held his Aiwa portable stereo cassette player.
Doc Brown
"Devo outfit" – Doc wore a white full-length radiation suit, over a green print shirt, white undershirt, black pants and orange Nike Vandal high-top shoes. He also had a watch on his left arm, and digital stopwatch on a lanyard around his neck.
Train shirt – While in 2015, Doc changed back to 1985-style clothing, a yellow Hawaiian shirt with a cartoon train pattern and brown cargo pants, expecting to return Marty, Jennifer and Einstein back home right away.
Jennifer "Hey Mom, nice pants" -
Jennifer wears a blue vest over a white shirt and has pink flower pants.
Other distinctive clothing of 1985
§ Dave wore a uniform for his job as a Burger King restaurant server.
§ George owned a suede jacket.
§ Biff wore a green warm-up outfit on Saturday; a purple warm-up outfit on Sunday.
Clothing in 1955
Biff
"Biff" - On Saturday, Biff wore a red short-sleeve pullover shirt.
School - At school, Biff wore blue jeans and a shirt with a checked red and white pattern.
For the rest of the week, Biff wore a grey jacket, a white T- shirt and black pants. He added a black shirt and a white tie for the Enchantment Under the Sea dance.
Lorraine
"You’re so ... thin" –
On Saturday, November 5, Lorraine wore a pink and purple plaid dress which had a rounded collar, a matching belt around the waist, and a pink bow at the neck. She also wore white socks.
School –
At school, Lorraine wore a blue blouse with a silver brooch and a purple pencil skirt. She also wore her hair in a bun.
"I think you'd look better wearing nothing at all"
On Saturday, November 12 at Ruth's Frock Shop, Lorraine wore a pink knitted sweater, saddle shoes and a novelty black cotton giraffe-print circle skirt which Biff lifted up to expose her panties once outside the shop.
"Well, lookee what we have here"
At the Enchantment Under the Sea dance, Lorraine wore a pink strapless dress, bought with Babs at Ruth’s Frock Shop, which she covered with a white sweater. When she leaned over in the car, Biff was able to see down the front of her dress.
Doc
On Saturday evening, Doc wore a silver robe with black lapels, white shirt, and white knit tie, and dark pants. During the rest of the week, he wore a long white laboratory coat, and put on a pair of green safety goggles when demonstrating the clock tower model. The following Saturday, as he tried to connect the electrical cable, Doc was wearing shoes with Velcro closures that had not yet been invented,[5] although he might have found them in his future counterpart's suitcase.
Other distinctive clothing of 1955
§ Milton Baines wore a coonskin cap, popularized by Disney’s Davy Crockett films.
Clothing in 2015
"First, you have to get out and change clothes."
—Doc to Marty upon arrival in 2015
Doc in his 2015 yellow coat.
Doc Brown
* Marty in his future son's outfit.
"Marty, you’ve got to come back with me"
Doc appeared in Marty’s driveway wearing a long yellow coat, a red shirt with Japanese symbols (no undershirt), silver wraparound glasses with internal video display, and a plastic transparent necktie.
Train shirt – (See: 1985 Doc Brown)
Marty
"You're the spitting image of your future son" –
* Marty Jr.’s outfit and Marty’s disguise consisted of an auto-adjusting and auto-drying jacket (though Marty Jr.'s jacket was broken on the left sleeve), blue jeans worn inside-out (Marty only turned his pockets out), white socks, white Nike MAG power-lacing shoes and a color-shifting lenticular baseball cap.
Marty Jr. wore a white t-shirt with a logo featuring a plus and minus sign. 47-year-old Marty wore a brown business suit over a light brown shirt and brown and yellow multiple ties with rising sun motifs.
Biff
Biff's outfit consisted of a red quarter zip sweatshirt and black, white and green plaid pants.
Griff
Griff's outfit consisted of a helmet with sharp metal spikes, a black-ribbed light green jacket over a black chainmail shirt, black pants and black boots adorned with a sharp metallic rhinoceros-like horn.
Marlene
Other distinctive clothing of 2015
§ Multiple ties worn by Terry, Goldie Wilson III and Marty Sr.
Clothing in 1985A
Lorraine
Lorraine Baines McFly, aged 47, in 1985A clothing and breast implants.
"You’re so ... big" – Lorraine Baines McFly wore a black, belted pant suit with patterns of multicolored dots, and high heeled shoes. The blouse had a low neckline revealing her breast implants.
Biff
Although Biff was fabulously wealthy as a result of his cheating with the almanac in 1985A, his sense of dress was still tacky as the Biff of the original timeline. His outfits were gaudy and ugly, with gold chains and bright blue blazers, giving him the appearance of a lounge lizard. After coming out of the hot tub, Biff wore a blue bathing robe over black swim shorts.
Other distinctive clothing of 1985A
§ Biff's bodyguard Match wore a white cowboy hat.
§ Biff's goon 3-D no longer wore his nominal 3-D glasses as the 3-D movies fad had long since faded by 1985. However, unable to part with the nickname, he wore aviator sunglasses which he had custom made, the left lens to be red and the right lens to be blue.
Clothing in 1885
"You can’t wear those futuristic things in 1885. You shouldn’t even be wearing them in 1955."
—Doc Brown at the Pohatchee Drive-in
Marty
"Clint Eastwood never wore anything like this" – (See: 1955 Marty)
Marty's 1955 western outfit plus hat.
"You sure look like Seamus McFly" – Same as "Clint Eastwood never wore anything like this" (see: 1955 Marty), with a straw derby hat[6]
"Some respectable clothes and a fine hat" – Most of the week, Marty wore a long, blue workshirt, brown jeans, and a brown sarape over long underwear, with a brown flat-topped hat, and boots.[7] The outfit was very similar to the one Marty saw Clint Eastwood wearing in A Fistful of Dollars.
"Go ahead, make my day" – One morning, Marty woke up wearing his long underwear with a half-fastened drop seat, and put on his hat and gun belt to practice in front of the mirror.
Behind the scenes
1955
Bob Gale said that costume designer Deborah Scott found nearly all the clothing for the film in the studio’s wardrobe department; they didn’t have the budget for her to make many original items.[8]
Lea Thompson found the pink dress uncomfortable to wear and even more uncomfortable to dance in, and would walk around the set in the 1950s corset bra and crinoline underskirt to avoid wearing the dress, and once even shocked her mother when she visited her on the set. But despite that, she still hung on to one exemplar of the dress that was given to her, and helped out with the filming of the second movie when the original dress had been lost, and she provided it herself.[9]
The black fedora Marty wore as apart of his 'something inconspicuous' disguise was made by the Stetson hat company, especially for Michael J. Fox.[10]
2015
Costume designer Joanna Johnston said she was terrified at the prospect of designing the clothing of the future, making costumes for the cast and 150 extras from scratch, since Bob’s concept did not have a basis in anyone else’s work. For a future society in which men and women are truly equal, the clothing styles would exaggerate the difference between the sexes. She decided to use a very wide variety of fabrics in bright "but not fluorescent" colors.[11]
1885
Costume designer Joanna Johnston was already familiar with the clothing for the period, having worked on the movie Tess, but found that most of costumes that were made for the Westerns of the '40s, '50s and '60s lacked the authenticity she was looking for. After further research, she created clothing for the main characters and as many as 500 extras based on the original clothing patterns she found.[12]
Back to the Future is being cited as a key fashion inspiration, it will come as no surprise to any fans of the film or, indeed, of fashion.
So much so, in fact, that Eastpak is reissuing the original rucksack Marty travelled through time with this season, sold exclusively at Selfridges (although if you have a DeLorean, you are advised to time-travel and buy one of the 80s originals, as Eastpak is certainly not selling them now at 80s prices).
Marty rocking double denim and high-tops
Marty himself has been something of a hipster template for a while now: the double denim, the checked shirt, the high-tops. If only Marty had arrived in east London 2014 as opposed to Hill Valley 1955 (and, later, 2015 and 1885), he would have fit right in and instantly sparked a sleeveless parka revival.
As for the other characters,
Lorraine Baines (later McFly, then Tannen) has, waist up, a proper Alexa Chung look going on, with her Peter Pan collars and demure little jumpers.
Biff Tannen's sports jackets are definitely in style, for men and women, while George McFly's thick-rimmed glasses have been a fashion staple since the dawn of time (maybe alittle exaggeration there)
As for what Back to the Future fashion pieces the biggest vote has to be for Lorraine's wacky 1955 hairstyle, in which her hair zigzags across her forehead
And honestly? Yeah. The clothing is superb. It doesn’t feel costume-y or try hard like The Great Gatsby or Gangster Squad; in BTTF, the period looks are natural yet interesting, feeling cool but dated.
As this film was made in the 80s, that the period they were parodying (1950s) wasn’t that historical. It was like (literally) looking at pictures your parents wore and checking local thrift stores for clothing ideas.
This all probably contributes to why Hill Valley in 1955 feels real and not filled with some wise-cracking gangster with a down-on-his-luck shoeshine kid.
Clearly, there is a huge difference between menswear in 1955 and 1985, but there are just things that make the 1950’s stand out when compared to other eras, but the 1950’s was a remarkably different than the 1940s.
In this post war time, you had the first inklings of true casual style. Instead of sportcoats as sportswear, you had dedicated garments like Hollywood jackets.
Shortjackets with point collars and bomber styles were extremely popular to wear when you were off work or just a youth.
Jeans and converse were the new go-to for casual pant/shoes, though a few still wore pleated
Hollywood waist gab slacks and derbies. And let’s not forget the explosion of prints (tiki and atomic) and tone-on-tone variations that made sportshirts truly “sporty”.
People today call it the Bold Look for tailoring (due to the heavy shoulder pads and dropped button stance) and Rockabilly for casual style. Either way, it’s pretty cool.
Good examples of the fun casual shirts in the 1950s.
Short jackets of all kinds were common, this time done with fun details.
Great shirts and an epic trouser to boot.
Ties in the 1950’s were more about abstract vertical designs. Some were slim, others were wide.
Leisuire jackets were all the rage.
BTTF gets all of this right, presumably by the use of true vintage (since the patterns and designs are really specific) as according to the wiki, they only used whatever was in Universal’s costume warehouse.
However, warehouses could definitely still make good reproductions! We’ll never know what is true vintage or not, but I’m leaning on the use of true vintage pieces since would only be 30 years old and wouldn’t be hard to source and get in decent condition.
Marty McFly
We all know Marty McFly’s epic 1985 look. Denim jacket on slim high waisted jeans, with a solid colored crewneck under a button up shirt; we also can’t forget the life preserver and white/red Nike Bruin sneakers. It’s a classic outfit that isn’t actually out of place today, since you could wear it at a Halloween costume or as a generic dude in LA (maybe lose one of the layers though).
That period paved the way for “non-traditional” garment mixing that ushered in the current way we approach casual style. Since this is only 15 years from the period of overalls with oxfords or puffers and military chinos, it’s no surprise that wanna-be rocker Marty McFly would also wear something as weird.
However, as we saw in the movie, he stuck out like a sore thumb when he was accidentally sent back in time to 1955. Luckily with a rich heir like Doc Brown as a friend, Marty is able to get some period accurate clothes and fit into this iteration of Hill Valley.
Marty’s first look for a new day in 1955 is a damn good one: every piece is so great. Firstly we can see the two-tone leather-gab jacket with a point collar. Two-tone jackets were popular as youth novelty wear. I’m pretty sure the one in the film is a reproduction, but if you found that as vintage it would be worth a lot.
Underneath the jacket, Marty has a block motif sportshirt that he’s rolled up his sleeves a la James Dean. Patterns like this are what make this era’s shirts so much fun.
He has white socks and penny loafers!
With the shirt, he finishes this perfect 1950’s casual-youth outfit with (presumably) pleated hollywood waist slacks that seem to be made of some silk or rayon blend. providing crunchy/shiny texture that fits in with the era’s obsession with patterns and atomic themes.
Overall, it’s a great uniform to do: sportshirt + high rise trousers + casual jacket. Marty wears the look well, with everything fitting perfectly. In fact, this vibe not only informs some of the looks you can see at Inspiration LA It may not be atomic or tiki, but alohas are certainly in full force in today’s spring/summer. Even the thin belts are coming back.
They need to make prints like this again!
When Marty gets into the epic skateboard chase, he retains the two-tone jacket but brings in a new shirt and pant combo. The shirt, now a red/blue piece with a wild diagonal stripe mixed with oversized squares is an EPIC one. Its a bold pattern, which again makes the 1950’s unique in it’s choice of casual patterns. It just has that retro appeal that I think would look great under a sportcoat, if there were just makers that had it (since a true vintage one would no doubt be expensive).
Note here that he’s now wearing some straight cut blue jeans. It’s different than his slightly acid-washed ones from the 80s, mainly in how it drapes. They’re not overly wide, but moderate, ending with a cuff. They look how I want my jeans to fit with proper drape. Again, Marty kills it.
At some point, Marty swapped his Corteze with black converse. Looks very 50’s when worn with cuffed blue jeans.
Another fun gab sportshirt that is worn untucked with a white undershirt base layer.
Note the two-tone coloring. Very 50’s.
His last major 50’s look is a sportcoat-trouser combo, worn to the Enchantment Under the Sea Dance. We don’t really get a good look at the full cut or details, so we’re left wondering if this is a true 50’s jacket (or designed like it) or something from the 1980s that they tried to pass off.
The choice of odd trouser, a charcoal grey fleck Again, this was a time of exploring fabrics and cuts in the realm of tailoring, and while illustrations may keep everything clean, photographs from the era showed that the youth always had a mishmash of things. It’s probably because they didn’t have dozens of trousers to begin with.
The wide cut may be inspired by the zoot suit (Marty does reference it in the film, but zoot suits were more of a 40s thing IIRC), but he rocks it all the same.
Since you get to see it in full force (along with white socks and black two-tone derbies) while he’s playing the guitar, perhaps it’s his way of exuding that rebellious rocker chic in 1955. He certainly stood out amongst the crowd!
Doc Brown
We don’t really get to see much of Doc Brown’s attire until Marty goes to visit him in 1955; Doc is just in a white jumpsuit in the Lone Pine Mall.
When Marty visits him, Doc seems to wearing a variation on what we’d expect a well-to-do heir would wear at home. A pink shirt (the 1950’s loved color, if you couldn’t already tell) and a white single stripe tie are fun nods to the fact that he’s an adult, but you get the affluent charm with an epic silver dressing gown.
With a scale-esque texture and it’s moderate black satin peak lapels (echoed by the pocket piping), it definitely has that post-war fun vibe.
When Doc goes with Marty to Hill Valley High to check out Marty’s parents, Doc has on a very typical “casual man” outfit. The tiki shirt is a no brainer at this point, but note the cool gab jacket he has on.
It’s definitely some form of leisure jacket with modest lapels, patch pockets, and a fun little monogram on the patch. Jackets like this were casual but they clearly took after the classic sportcoat design; it looks smarter than simply wearing a leather jacket or gab short jacket.
Also take note of his straw fedora (I don’t think it’s technically a panama hat). Instead of the traditional black band, he instead has an abstract design as a ribbon, which was a common trend in the 1940s-1960s for straw hats. It also just makes the hat much more casual, which is one of the reasons why it’s hard to wear fedora-type hats often.
Flecked trousers. The 1950s loved fleck.
A checked asymmetrical sportshirt with a yolked pocket flap.
Look at Doc’s weird shirt! Super cool and novelty style that was popular in the late 40s-50s. Finding one today would be rare and expensive.
Doc Brown’s last outfit in 1955 is hard to make out, as he wears an balmaccan style rain coat for the climax, but his polo-style shirt deserves some recognition. Like so many other pieces we’ve seen, the shirt features a fun print, consisting of red and black squiggles.
The shirt has a contrast collar/placket and cuffs, which again fits in with many of the stylistic choices of the era. I’m not sure if I would wear it today, but more brands should definitely take a page out of the era and make something “new”!
Marty’s dad, at least this version of him, dresses like a dweeb because he is a dweeb. It’s supposed to be 1985, where RL and other mall clothes are in full swing, and yet he dresses like a caricature of a 1960’s accountant.
Short sleeve shirt, repp tie, pen pockets, and browline glasses, all contribute to it. I mean I’ve worn socks and shorts together, but I don’t think it looked this bad.
I mean, it makes sense since the film is portraying George as someone who is unlucky, who gets bullied, and gathers no respect.
A flecked short jacket.
In 1955, George McFly actually dresses pretty decently! He’s not exactly sticking out like a nerdy sore-thumb. Like Marty, he wears a few different sportshirts and short jackets, though in comparison, they’re much more plain. George could also benefit with a better fit, but it’s not terrible. At least in most cases.
What George does make a habit of doing is wearing his sportshirts fastened all the way to the top. Now this was done back in the day, but based on photos and illustrations, sport collars were definitely best worn open.
It’s a nerd thing to do that came back in the mid 2010s as the “air tie” and always results in the wearer looking “closed up”. And since George is a nervous guy with no friends or confidence, it works perfectly.
I like the checked cloth and red buttons.
In one scene, George actually wears a two-tone Hollywood Jacket! Like with Doc’s ivory jacket, these are meant to be a casual-yet-tailored approach to casual wear. You’ll see that the cut and design are similar to a chore coat’s, just with shoulder pads and “formal” cloth.
George’s brown gab short jacket has shoulder pads and is a size or two too big for him. Also see how he’s got his shirt buttoned all the way up.
An interesting cotton short jacket with a wider collar and hand warmer pockets. Very cool.
George goes all out for the dance, mainly because it’s his big moment to “save” Lorraine. A white dinner jacket and black tie is hard not to separate from James Bond (or Casablanca), and its actually the first time George wears something that fits him well. It’s still in the 1950’s aesthetic, so he has padded square shoulders, a low button stance, and closed quarters.
When we return to good ol’ modified 1985, accounting-nerd George has been replaced by a true chad version. There are no short sleeve shirts and browline shades here. Instead, he has a very 80s biz-caz outfit consisting of a moleskin blazer, vibrant red polo, and pleated slacks. It’s not bold, but since this is a “normal” outfit, it contrasts against George’s first appearance.I also love the aviators for max 80s cool.
Biff Tannen
Biff. When we first see him, his commandingly bold 70’s outfit just screams like a guy who peaked in high school and still bullies others. Which is definitely true.
It’s such a weird look that actually has some prep vibes to it, mainly with the use of a navy brass button blazer and plaid odd trousers; I think I may even see a white braided belt.
1985 Biff actually dresses rather “normal” for the era, though he stands out for his boisterous character and sheer Kingpin-like aura.
It’s all just sportshirts, white crewneck tees, and jeans, nothing to write home about. but with it just being done with jeans and sneakers, it feels boring, mainly because its an easy way to do a 1950s look. It’s easy to replicate, but don’t forget that a sportcollar makes a world of difference; a regular standing collar wouldn’t achieve the same effect.
I guess the point is that Biff is just a regular old bully, contrasting against George’s plain looks that utilize jackets and Marty’s much more interesting take on the era.
Biff’s jacket of choice is a bomber style one that has black contrasting collar and cuffs. Can’t you see how popular two-tone clothing was in those days? Like Marty’s leather jacket, this one also ends around the waist, but instead of it just being a plain bomber design, Biff’s jacket has decorative front pleating. Don’t ask why, it’s just for show.
Like with the shirt patterns, I wish we also had more vintage-inspired jackets like this!
A black shirt and bold tie? I guess stereotypical prom style was a thing even in 1955.
Others
Strickland has a bowtie and suit, but if you look closely, the suit is very 80s with wide shoulders, open notch and low buttoning point.
In 1955, he has a suit that clearly has more weight and features a fun shadow stripe, a common thing for vintage suits.
Ivy style isn’t really in the film other than the committee deciding on the band. 80s ivy is just like 70s ivy tbh: just a more exaggerated and bold version of 60s ivy.
Goldie Wilson also wears a bar motif sportshirt, though with the wide collar, it might be from the 40’s. That makes sense, since he might not have access to current fashions.
Lorraine’s dad wears a car coat (an overcoat with a shorter length). He has a fedora, which gives him an “adult” look. Not sure if the trouser fit is right though.
As can be expected, Lorraine’s dad has a gab sportshirt. The shorter collar points and higher buttoning point is period accurate to the 1950s.
So much great stuff here, from the faded, cuffed denim and saddle shoes to the absolutely epic novelty knitwear. I’m very glad that the youth have a variety of style!
Striped shirts are what kids wore back then, not flat caps, plus-fours, and suspenders.
Biff’s gang all have variations on casual style. Is that a knit tee I see? Wish we could see the ribbing!
More variety in style here and it all looks period. Love the kid’s pastel blue pleated pants, the red sweater, and what I think is a Cub Scout uniform. Check out that tiny brimmed hat!
Marvin Berry and the Starlighters all wear 50’s silk dinner jackets with their quintessential square shoulders and low button stance. Instead of bowties, they have matching continental bow ties.
Great short jacket.
Conclusion
BTTF is a great example of a movie that makes 1950’s clothing seem accessible and easy. There isn’t a big focus on tailoring, which probably makes it much more palatable. Instead, we see casual 50’s, rockabilly-esque style, which informs a lot of the heritage-Americana that is so easy for guys to wear. Sportshirts and cuffed jeans should get you through the most of it.
The real way to make it interesting is by checking out how Marty does it. Instead of plain shirts, he wore fun patterns that made his attire stand out among the others. It might be vintage and dated, but I certainly love the personality they bring to an outfit, especially since today you can refine it by wearing with loafers or a sportcoat instead of on its own.
Bonus points for those epic two-tone jackets (or leather jackets in general). I’m not sure if the world is ready for the return of hollywood jackets, but after the rise of chore coats and safaris, maybe there’s room for it.
Overall, I think a lot of guys who are searching for a more interesting way to dress can take some cues from this. BTTF did a great job and since it didn’t go too crazy (note the lack of flat caps, which if included would just be inaccurate), it comes off as classic and actually wearable.
I love this movie and I hope you enjoyed this dive into the costuming
Always a pleasure,
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References
1. ↑ http://www.bttf.com/forums BTTF.com Message Board
2. ↑ http://www.bttf.com/forums BTTF.com Message Board
3. ↑ http://www.bttf.com/forums/topic.php?tp=38901-I+FOUND+IT%21+This+is+like+finding+the+holy+grail...+I+have+found+the+Marty+McFLy+Vest%21%21%21#
4. ↑ BTTF III novel, p. 38, 39
5. ↑ Velcro 50th Anniversary : Timeline, see "1985".
6. ↑ BTTF III novel, p. 73
7. ↑ BTTF III novel, p. 98, p. 205
8. ↑ Feature Commentary with Bob Gale and Neil Canton, Part I, at about 1:10.
9. ↑ Gaines, Caseen, We Don't Need Roads: The Making of the Back to the Future trilogy, p. unknown
10. ↑ http://www.icollector.com/Back-To-The-Future-2-Marty-s-Something-Inconspicuous-Fedora-Michael-J-Fox_i20788290
11. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 71-72.
12. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 60-61.
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